

1. Describe the 'style' that Kruger has used in the two presented works.
Attractive,graphic work with retro looked.Thus producing a series of black-and-white details of architectural exteriors paired with her own textual ruminations on the lives of those living inside.The phrases usually make a bold statement and commonly use pronouns such as you, I, your, we and they.Usually her style involves the cropping of a magazine or newspaper image enlarged in black and white.
2. What are some of the concepts and messages that Kruger is communicating in them?
Kruger's work tries not to deceive us into believing we have a need to fulfill, but to allow us to discover the deception of signs.As far as a classification of her medium, Kruger is considered a montage artist.She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to.
3. Do these images communicate these ideas effectively? Explain your answer.
Yes ,Barbara Kruger takes that sentence to a materialistic level - in other words, a person is defined not by what they think, but what they own (through shopping).The enlargement of the image is done as crudely as possible to monumental proportions. A message is stenciled on the image, usually in white letters against a background of red. The text and image are unrelated in an effort to create anxiety by the audience that plays on the fears of society.
4. Define the concept of Mercantillism and explain how these two examples can connect with the concept.
I think that pictures and words have the power to make us rich or poor. I try to engage that power using methods that are both seductive and critical.Mercantilism, economic policy prevailing in Europe during the 16th, 17th, and 18th centuries, under which governmental control was exercised over industry and trade in accordance with the theory that national strength is increased by a preponderance of exports over imports. Mercantilism was characterized not so much by a consistent or formal doctrine as by a set of generally held beliefs. This stunning ensemble says you re not who you think you are;" and "This fantastic outfit is really ridiculously overpriced." Kruger criticizes images of women that are constructed by the predominantly male media and that help to shape the way women see themselves.
5. Upload a more recent example of Kruger's work where she has used a new medium, that is not graphic design. Title your image of the chosen work and comment on your response to the work. How do you think the audience would experience this work?
Barbara Kruger
Untitled
(We don't need another hero)
90" by 117"
photographic silkscreen/vinyl
1987
Untitled
(We don't need another hero)
90" by 117"
photographic silkscreen/vinyl
1987
This work superimposes a bold strip of red background and white text stating “We Don’t Need Another Hero” on top of an image of a young girl and boy. The girl is leaning over the boy’s shoulder, pointing to his budding musculature. While her pose may have initially be read as predatory and powerful, in fact the girl is wholly submitting to the masculinity of the boy. One could argue that masculinity in this picture is not only on display but that it is at the same time being performed, in that it conforms to the socially esteemed patterns of masculine behavior. This performance of gender provides the male agency, and inscribes submission into the female. Her awe of his male abilities carries a deeper and more raw eroticization of the phallus as the locus of social power.
I shop therefore I am (1987) Barbara Kruger
Face It (Green) 2007 Barbara Kruger